By Me, Waypoint Youth Voices, 2025
Greenhouse Projects, 2025 Featured
Echoes and Shifts, Contemporary Indigenous Lineages 2024, 2025
United Through Color; a Residency and Exhibition 2024, 2025
Accessibility Through the Trees, 2024
Let’s Talk About Jane, 2024
Phaneron, 2023
Chef’s Kiss, 2023
Featured Artist and Curator, all my friends are in This show, 2023
Complexities of Presentation, 2022
Kimball Jenkins Mural Internship 2022, 2023
Positive Street Art Mural Internship 2024, 2025
Burgeoning, 2024
No Bears Panel and Screening, 2023
Circa 2018 A second Rendition of the Easter Island Idea called Tchotchke is conceived. This time, heavily influenced by the ideas of Noh theatre and absurdist plays. Audience can dawn a pair of wireless headphones with recorded poetry from a transistor playing on loop. Another renditioned of an abandoned studio which welcomes the audience to sit, draw, take away from the installation.
2017. A group show, Into the Labyrinth, conception of the frames of a canvas being the foundation of support. A nod and a wink into the irony of not revealing the truth behind the illusion of art and art’s relationship to the institution.
Circa 2015 Los Angeles City College’s Art Department is being gutted. I am given free rein of the basement where I create the first rendition of Easter Island. An idea for an inclusive space reminiscing muchness and nihilism. The madness of the artist invites viewers. A projector with sound plays while the audience walks through this installation and witnesses the leftovers of a person spent. The lifestyle of Los Angeles and my Bipolar often rendered me exhausted from episodes of mania.